
COMPUTERS IN THE STUDIO
Common questions about using computers in the studio answered.
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Common questions about using computers in the studio answered.
Dave Shapton exposes Microsoft's plans for Windows XP copy protection, and explains why he thinks digital mixers are on the way to becoming all-purpose control surfaces.
The audio side of OS X receives a big boost with the release of the first major update, as does Islington's MacExpo, as Apple themselves decide to attend their first UK show for several years.
Upgrading your ageing Mac's processor to extend its useful working life is an appealing concept, and there are plenty of processor upgrades on the market. But what effect do they really have on musical and recording applications? We tested eight of them to find out...
Paul Wiffen concludes his investigation into reliable means of audio interfacing on new-style Macintoshes when the traditional PCI card route is not available to you. This month, he tests two more USB audio-only interfaces, and reaches some definitive conclusins about Tascam's US428 MIDI and audio interface.
Having explained some of the audio and MIDI interfacing problems facing owners of new-style Macs, Paul Wiffen looks at practicalities, testing one USB MIDI and one USB MIDI + Audio interface to see what pitfalls await the unwary...
Can Steinberg's professional recording package make an impact in the Pro Tools-dominated Macintosh market? Sam Inglis finds out.
Few recent software products have stirred as much interest as Melodyne - a program offering unique pitch, time and formant-processing features, which was created not by one of the major music developers but by a maverick Bavarian musician and his software-designer friend.
Aardvark's newest soundcard and breakout box are claimed to provide all the recording facilities PC owners could ever need, with excellent sound quality and at an affordable price. But how does the Q10 fare on the SOS test bench?
Emagic's Waveburner CD-writing package has grown to incorporate new editing features and powerful plug-in support, but retains its intuitive user interface. Paul White tests the new, improved version.
Software instruments are now becoming commonplace, but it's still an ambitious software developer who attempts to model an entire studio.
As a means of personal therapy, John Walden explains what he learned from spending the New Year with Windows pains.
Paul White explores the dark side of effects processing with this innovative software from Native Instruments.
All sorts of weird and wonderful instruments have been recreated in software, but IK Multimedia's Sampletank is the first serious attempt to make a high-quality workhorse sound module available in virtual form.
Version 2 of TC Works' Spark XL stereo audio editing software offers several unique new features and a very fast new Virtual File Engine that should speed up the operation of the program with large files. Paul White fires it up...
Akai introduced AKsys some months ago, providing a USB-driven, computer-based control interface for recent S-series samplers. Now at v1.7, it is becoming indispensible for anyone fed up with managing their samplers via an LCD...
This month Dave Shapton questions Apple's corporate strategy and speculates on the possible implications behind Microsoft's desire to have their Media Player running on as many platforms as possible...