SOUND ON SOUND
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There's no gain without pain. Martin Russ experiences the joys and agonies of a new computer — the Apple Power Mac 7300.
Dennis Miller concludes his short series on computer-based synthesizers by looking at some hybrid software/hardware synthesis systems, and introducing the powerful software synth language CSound.
Designing sounds on a computer can give you virtually all the knobs and sliders you'd want, but there's the potential to go far beyond hardware synthesis too. Dennis Miller begins a two-part tour of what's available.
Paul White checks over TSC's latest Mac-clone-based music studio package and sees red.
After much ado, it seems MacOS 8 is finally going ahead. Martin Russ brings you the latest Mac-related news and tips.
Version 8 of the Mac operating system is ready to roll, and Martin Russ is the man with the facts and figures...
When it's time for your Mac to start talking MIDI to the rest of your rig, the technology, like the truth, is out there. But should you spend a few pounds, or a few hundred? Mike Collins has the information you need.
Martin Russ takes stock of price drops, take-over rumours, and in some cases, the end of the line.
This month Martin Russ looks at technical support, operating system updates and shareware.
This month, MacOS evangelist Martin Russ reports back from the recent optimistic Apple Expo show, and dishes out some more tips on file management.
Martin Russ puts the latest doom and gloom Apple news from the media into context.
The fist release in Opcode's new studio 'X' series is designed to help you sort out your MIDI studio, whether it's based around a Mac or PC. Martin Russ finds out whether it has the right connections.
After another panicky start to the year for the MacOS, Martin Russ asks what happens next.
Why is no-one giving Mac sequencers away for nothing? Martin Russ dives into the sobering world of shareware and freeware.
Paul White tries Emagic's new audio file compression utility while balancing the implications of time and space.
Mike Collins studio-tests a versatile new interface, which works with both Mac and PC and provides professional-level functionality at the right price.
Now that digital equipment is arriving in project studios, a patchbay becomes a worthwhile purchase. Mike Collins goes back to his routes...
Craig Anderton explains why the dove of software-reviewer happiness has flown out of his life, to be replaced with the turkey of user beta-testing hell...
MOTU software specialist and UK distributor Simon Stock passes on some useful info for users of Performer, Digital Performer, Composer's MOSAIC and Freestyle.
You've got a sampler, you've got a sample CD — but you haven't got any music yet. Craig Anderton chases down useful software that can help you bridge the gap, and passes on some hints and tips for effective sample CD use.