SOUND ON SOUND
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With even the cheapest soundcards now offering 24-bit, 192kHz recording, is it still worth investing in high-end converters? Lynx certainly think so...
ST Audio's DSP3000 system offers an impressive feature set for its price, boasting eight-channel 24-bit/96kHz analogue I/O with mic preamps on every channel, plus digital I/O in S/PDIF and AES-EBU formats, MIDI I/O, and the ability to function as a stand-alone analogue/ADAT digital converter.
Until now, MADI interfacing has been restricted to high-end digital desks, but RME's affordable hardware brings it to the project studio market. If you need a lot of inputs or outputs within an ASIO environment, their soundcard and 64-channel MADI-to-ADAT converter could be the perfect choice.
Users of RME's ADI-2 series converters and headphone amplifiers can now control their device’s settings from a computer or iPad.
Building on Prism's high‑end converter range, the ADA‑128 caters for those working with high channel counts and multiple signal types.
This latest version of RME's award-winning ADI-2 Series A-D/ D-A converter boasts up to 768kHz operation, and is equipped with powerful dual headphone amplifiers capable of driving balanced headphones.
There are many high‑end converters that boast excellent specifications — but this one sounds good too!
Now that more computers are equipped with Universal Serial Buss connections, musicians have started to demand compatible peripherals. Martin Walker tries out one of the first to arrive, a simple interface dedicated to piping digital audio in and out of USB machines.
Wouldnt it be nice if there was a pro-quality D-A converter on the market that was truly portable? Centrance aim to give us exactly that...
Antelope Audio are all about high-end quality at a lower price. Does the third generation of their Orion 32+ deliver the goods?
This device packs 32 channels of bidirectional analogue-to-Dante conversion in a 1U rackmounting box...
Though aimed squarely at the serious hi-fi market, this class-leading converter has plenty to offer in the studio.
Dave Hill’s uncompromising converter design focuses on making clock jitter as low as possible, with impressive results.
Sometimes, a full-blown multi-channel rackmounting interface is just too cumbersome and inconvenient for the task in hand.
This compact unit from Apogee offers high-end preamplification and conversion, along with a clutch of useful processing, monitoring and output facilities.
Technology has moved on in the 10 years since the original D Box was released — but the concept seems stronger than ever.
This D-A converter boasts a range of useful features — as well as impressive performance.
Terratec's new professional division are looking to make a splash with their rackmounting multi-channel A-D/D-A converters, which feature SPL-designed mic amps and close integration with their EWS 88MT soundcard.
Apogee's new converter builds on the reputation of the original PSX100 and Rosetta units, upgrading the sonics and adding a pile of new facilities, including sophisticated jitter-reduction processing and sample-rate conversion.
Find out how Mytek’s latest reference-level converter stacks up against the competition.