SOUND ON SOUND
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With so many virtual guitar amps already on the market, can newcomers Scuffham Amps bring something fresh to the party?
This sleek four-channel interface and monitor controller embodies all the quality and style we’ve come to expect from Apogee.
MOTU have brought their expertise to bear on a new desktop audio interface, the Track 16.
With some innovative concepts borrowed from photo-manipulation software, Sony aim to make spectral editing creative as well as useful.
Steinberg’s Sequel is one of many simple but intuitive loop‑based music programs. What’s new in version 3 — the sequel to the sequel to Sequel?
The virtual vintage front panels of LSR Audio’s plug-ins conceal processors with plenty of personality.
Dynamic convolution can be used to ‘sample’ any piece of audio gear. Have Acustica succeeded in giving this advanced technology a friendly face?
Mastering keyboard shortcuts makes Cubase easier to use and is good for your health!
The new Microbook’s miniature exterior hides surprising depths of functionality.
Apogee's Duet 2 puts the company’s famed A-D/D-A conversion into a box that’s attractive in terms of both styling and price...
Avid’s Complete Production Toolkit effectively bridges the gap between HDX and native Pro Tools systems. We look at what you get for your money.
The streamlined BFD Eco promises top-notch acoustic drum sounds at a budget price.
With functionality that could actually surpass that of the iPad, Microsoft’s Surface looks set to make a big splash in the tablet market.
iTrack Solo is Focusrite's first audio interface designed for use with iOS devices, although it can also be used with a computer via its USB 2 connection.
If you’re not careful, you could find that your Pro Tools HDX upgrade leaves you without your favourite plug-ins...
Having recently started making and recording my own music, I need to start thinking about backing it up. At the moment, I'm...