SOUND ON SOUND
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Despite the iMac moniker, the iMac Pro is a very impressive machine. Is it the computer that Mac-based musicians and audio engineers have been waiting for?
How do you know which audio interfaces will work with which studio computers? We cut through the connector confusion!
After almost a decade in the wilderness, the original loop-based sequencer is back. But is Acid still the best?
With 64-bit compatibility and VST3 support, Magix’s Sound Forge 12 is ready to face the future.
Soundtheory’s first plug-in doesn’t just give you a ‘make it sound better’ control — it has five of them!
Although Macs are simply wonderful when they are working properly, on a bad day they can be just as frustrating as their counterparts...
To get the most from Pro Tools, you need an extended keyboard — and here’s why.
Introduced in 1985, TC Electronic’s 2290 Dynamic Digital Delay unit offered a range of features that were...
Radial’s innovative Key Largo is designed to sit at the heart of your live keyboard rig.
Welcome to the world’s smallest serious DAW control surface!
Fantastic chance to WIN Sound Devices MixPre‑3M & MixPre‑6M worth £2670$2530
IK’s iRig Stomp I/O bridges the gap between hardware and software, both on stage and in the studio.
If you’ve found integrating multi-effects units into your existing amp and pedalboard setup problematic, this unit could make life easier...
The iRig Keys I/O offers a one-cable keyboard controller solution for computer- and iPad-based musicians.
This device packs 32 channels of bidirectional analogue-to-Dante conversion in a 1U rackmounting box...
Though aimed squarely at the serious hi-fi market, this class-leading converter has plenty to offer in the studio.
We examine three different ways to harness the power of granular synthesis in Live.
DPA’s iOS-friendly interface and mic set is aimed squarely at broadcasters and interviewers who need the very best audio quality.
This D-A converter boasts a range of useful features — as well as impressive performance.
Helix systems are converting many guitarists to amp modelling, and the newest of them brings Line 6’s latest algorithms to your DAW.