Mirror creates reversed delay/reverb effects that come before the note...
Sampleson’s modelled Wurlitzer ticks all the right electric piano boxes.
Efx Fragments is a granular effects processor that can create effects ranging from obvious glitchiness to ethereal ambiences.
Veteran software Mellotron specialists GForce have recreated the sounds of the earliest models with startling accuracy.
With its intoxicating amount of modulation options, this creative effects plug‑in could become rather addictive!
Poltergate is a combination tool for use with drums or other percussive sounds and has both creative and problem‑solving capabilities...
IK Multimedia’s Fame Studio Reverb emulates the sound of the legendary FAME studio in Muscle Shoals, Alabama.
UJAM add sonic movement to the themes explored in their popular Finisher series.
Ever wondered what AI technology might bring to the tape‑emulation party?
Martinic take Akai’s long‑neglected AX73 ball and run with it.
Objeq Delay is not a typical delay plug‑in. Yes, it can generate repeats with adjustable feedback and tempo sync, but the way it treats them, using some ingenious acoustic filtering, really sets it apart.
Quantum is similar in concept to Eventide’s Physion, in that it can split sounds into attack transients and sustain components...
This classy console emulation from newcomers KIT puts Blackbird Studios’ Neve in your DAW.
It can’t turn you into Bob Clearmountain, but this plug‑in can certainly help you create some beautiful effects!
This powerful new EQ plug-in aims to encourage you to make better mix decisions.
An EQ that gives you separate control over the transient and sustain portions could be more useful than you think!
ODC offers six distinct delay algorithms, all named after cities in Arizona...
As the name implies, Tupe emulates both tape and tubes — but it goes a bit further than most other saturators.
Tonic is designed to work out the key of a piece of music and to suggest musical scales and chords that might work with it.
Imagine uses physical modelling to let you create any acoustic instrument you can, er, imagine.
Wouldn’t it be nice if there were a simple, intuitive way to place sources in your immersive, surround or binaural soundstage? Well, now there is!
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